Researcher in Musicology and History of Music at the University of Udine (Italy) where he teaches Electronic Music, Audio Restoration and Music Publishing. He studies the influences of audio technology in the compositional processes of the second half of the 20th century, with the aim of laying the foundation for a critical and analytical methodology capable of interpreting, analyzing and critical editing electronic and mixed music. As scientific coordinator of MIRAGE Lab (http://mirage.uniud.it/), he is responsible for projects on preservation and restoration of historic sound recordings and on the critical editing of electronic music works (published by Universal Music – Casa Ricordi). He collaborates with musical institutions, publishers, research centers and with international festivals for the staging of the contemporary music repertoire.